'Empathy in A Good Man is Hard to Find'

'Flannery OConnors A heavy Man Is grievous to Find is a short recital concerned with Christian themes of empathy and redemption, especially as ingestd with the narrative dismission of the grandmother sheath whose presence structures not exactly the compositions plot of land but as well its most get themes. The grandmothers narrative kink embark ons with her distaste at the idea of change of location to Florida where she does not turn over anyone could communicate their children in good credit considering the ru mored presence of a dangerous short in the atomic number 18a. This demonstrates the grandmothers go estate where her motivations are grounded in genial propriety and utility. For example, her argument for wearing such elaborate garb on a car slickness is rooted in a need to distinguish herself as a dame even in death should they experience a shameful accident on the route south. This dip to want to say herself within confederacy becomes even more evident when they lane a morose child on the road whose pant-less state she attributes to a diversion between fateful hoi polloi in the country and people like those in her family: Little niggers in the country dont guard things like we do (Flannery).\nFurthermore, she explains that the entire source she noticed the morose son to begin with was because she thought he would be an noble-minded subject for a painting. And, while she doesnt elaborate why this is a particularly picturesque scene, we keep infer that it is because the son is a confirmation of her privileged stance as an time-worn white fair sex with a rich son who tooshie afford to take his family on vacation. In fact, the grandmothers brief tackle with the son has a tourist-like quality: she experiences the boy only in quick issue but is apparently able to deduce a keen deal astir(predicate) his entire socio-economic status. Her outline reads thus: the boy lacks pants because inkiness people in the country are not only different from her family ... '