Tuesday, February 5, 2019
Exploring the Dark Side of Human Nature in The Killers Essay -- Killer
Exploring the Dark Side of Human Nature in The Killers Hemingways The Killers illustrates that unexplained violence is an integrated part of society. To acknowledge the cruelties of life is to come to terms with monstrous events that can not be denied. A person may privation the maturity to cope with everyday life if they do not acknowledge that unrighteous can exist in any given society. The bosh is told in the objective closure-of-view. Hemingways approach to his story is different he approaches it as a journalist approaches a news story, from a focal point somewhere outside of his characters (Jaffe, 209). The author tells the story only as an observer. He does not tell the endorser what the characters are thinking, nor does he give the reader any insight to his personal feelings. As the story progresses, the reader learns that The Killers guess to live up to the label Hemingway appropriately gave them. The Killers, however, are not the principal(prenominal) focus of the story. The title is symbolic only of the evil that the story revolves around, still the main focus of the story is Nicks discovery and disbelief of the true evil that lurks in everyday life. Nick struggles with the knowledge that he can not change Oles fate as he states, Dont you want to go and absorb the police?...Isnt there something I could do?...Maybe it was just a bluff...Couldnt you amaze out of town?...Couldnt you fix it in some way? (Hemingway, 251). He is not mentally prepared to accept the darker side of human nature. It is a story of discovery, in which the anonymity of the observer serves to compel the readers attention to the naked facts as they add up, one by one, to a pattern of demonstrate yet... ...rld, they will be over-burdened with the unfairness of everyday life. Works Cited Benson, Jackson J. Hemingway...The Writers invention of Self-Defense. Minneapolis University of Minnesota Press, 1969. Brooks, Cleanth and Robert Penn Warren. Understandin g Fiction. 3rd ed. New Jersey Prentice-Hall, Inc., 1979. Hemingway, Ernest. The Killers. Great Tales of bratwurst and the Supernatural. New York The Modern Library, 1972. Jaffe, Adrian H. and Virgil Scott. Studies in the Short Story. 5th ed. New York The Dryden Press, 1956. Moseley, Edwin M. Pseudonyms of rescuer in the Modern Novel. New York University of Pittsburgh Press, 1962. Walcutt, Charles C. Mans Changing Mask. Minneapolis University of Minnesota Press, 1966. West, Ray B. junior The Short Story in America. 2nd ed. New York Books for Libraries Press, 1968.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment